Madang Dialogue: A Platform for Exchange and Reflection on the Gwangju Biennale
The madang, a central courtyard in traditional Korean architecture known as hanok, functions as a semi-private space that bridges the interior and exterior while fostering social interactions. Historically, the madang served various purposes, from welcoming guests during celebrations to drying harvested crops and providing a gathering spot for family conversations on warm summer evenings.
In celebration of the 30th anniversary of the Gwangju Biennale, the exhibition Madang—Where We Meet will be held in Venice, drawing inspiration from the inherent function and meaning of the madang. It aims to become a dynamic space for dialogue, showcasing the diverse voices, works, and activities of those who have shaped the Gwangju Biennale over the years.
As part of this initiative, Madang Dialogues has been conceived not merely as an exhibition but as a platform for new exchanges. The program invites former curators of the Gwangju Biennale to revisit key themes and ideas in contemporary art, critically examine the present state of the art world, and explore future directions for the Biennale. This effort transcends commemoration, interrogating the institutional role of biennials and reevaluating the significance of the Gwangju Biennale as a vital reference point.
To execute this vision, a team has been assembled, comprising four emerging curators active in Korea and abroad, along with alumni of the Gwangju Biennale International Curator School(GBICC). The team will conduct research based on selected keywords related to curatorial practices at the Biennale, interview past curators, and publish their findings in an online and offline magazine to foster wide-ranging discussions. This initiative seeks to establish Madang Dialogues as a critical platform for exchange, reflecting on the Biennale’s legacy while envisioning its future.